Published Writing & Editorial Work
Editor, Curated Spaces, Radical History Review. Regular feature on contemporary artists who address social, historical or political subject matter. Duke University Press.
"The NSK State and the Collective Imaginary" and "Division and Enclosure: Frankie Quinn's Peaceline Panorama Photographs", The Design of Frontiers: Control and Ambiguity, Carolyn Loeb and Andreas Luescher, Eds, Ashgate Press.
Editor, Radical Histories in Digital Culture, Radical History Review Issue 117, Duke University Press (with Lyell Davies and Elena Razlogova).
"The First NSK Citizen's Congress in Berlin: A Summary", State in Time, Edited by IRWIN, Drustvo NSK informativni center, Ljubljana and Dolenjski Muzej, Novo Mesto. "The Battle for Hearts and Minds: Nebojsa Seric Shoba," (Introduction) Radical History Review Issue 112, Winter, Duke University Press.
"A Summary of the First NSK Citizens' Congress in Berlin," State of Emergence, Edited by Alexei Monroe, Plottner Verlag.
"Macedonian Mythmaking: In Conversation with Milcho Manchevski," The Brooklyn Rail, December (with Dario Solman).
Editor, The Irish Question, Radical History Review Issue104, Spring. Duke University Press (with Van Gosse and Donal O'Drisceoil).
"Omission, Silence and Purity," Ruminations on Violence, Edited by Derek Pardue, Waveland Press.
Articles & Reviews
Fadda, Reema Salha & Saracine, Nour K, "Jerusalem Show VII: Report", Ibraaz, November 27.
Nguyen, Trong Gia, 'Interview with the Artists: Full Spectrum Dominance', ArtSlant, April 13. Braithewaite, Hunter, 'Full Spectrum Dominance at Carol Jazzar', Whitehot Magazine, April. Tschida, Anne, 'Brooklyn at Jazzar', Miami Herald, March 12.
McClintock, Dinah, 'Conor McGrady: Atlanta', Review, Art Papers, July/August.
Lukic, Neva, 'Conor McGrady, Gallery Karas: Dario Solman, Gallery PM', Vijenac (Croatia), Oct 22.
Artner, Alan, 'Images Take on a Haunting New Life', Chicago Tribune, October 31.
Cyphers-Wright, Jeffrey, 'The Perennial Allure of Allegorical Black and White', Chelsea Now, Nov 23-30. McDermott, Peter, 'Policing the Polulace', The Irish Echo, Oct 31-Nov 6.
Hawkins, Margaret, ‘Lines Drawn Fiercely in McGrady’s Purity’, Chicago Sun-Times, July 28
|2002||Noble, Kevin, ‘Questioning
Subject: An Interview with Conor McGrady’, The
Thing (Online), June
Yood, James, ‘Conor McGrady – NFA Space/Chicago Culutral Center’, Artforum, May
2002 Biennial Exhibition, Catalogue for the 2002 Whitney Biennial, Whitney Museum of Art
Gioni, Massimiliano, ‘The Whitney Biennial: All the Small Things’, Flash Art, May/June
Strauber, Alan, ‘Art Entices Eyes, Ears at Whitney Museum’, Ploughkeepsie Journal, May
Ferko, Peter, ‘Whitney Biennial’, Five Things, (Online Magazine), May 6
Strickland, Carol, ‘Whitney Pushes Boundaries of Modern Art’, The Christian Science Monitor, March 29
Artner, Alan, ‘Drawings Unite in One Environment’, Chicago Tribune, March 28
Artner, Alan, ‘Art Review – Conor McGrady’, Chicago Tribune, March 22
Bulka, Michael, ‘Recommended– Paintings, NFA Space’, New City, March 14
Smith, Alicia, ‘Artist’s Memories Inspire Universal Emotions’, Lerner News, March 13-14
Saltz, Jerry, ‘American Bland Stand’, The Village Voice, March 7
Plagens, Peter, ‘This Man Will Decide What Art Is’, Newsweek, March 4
Lopez, Ruth, ‘Three Area Artists to Shine in NY’s Whitney Biennial’, Chicago Tribune, March 3
Teicholz, Nina, ‘Private View – Lawrence Rinder’, Art & Auction, March
Hinkel, Joanne, ‘Chicagoans at the Whitney Biennial’, F News Magazine, March
Noll, Damien, ‘The Self, Ourselves, Considered’, Metropolis Section, Chicago Journal, Feb 28
‘Artist From Northern Ireland for Whitney’, Art News, CIRCA Art Magazine, Ireland, February
‘Conor McGrady – Recommend Section’, New Art Examiner, Spring
|2001||Noble, Kevin, ‘Political Aesthetics: The Culture & Conflict
Group’, Fortnight Magazine, Belfast,
Davis, Lyell & Nickard, Gary, ‘The Culture & Conflict Group’, Cepa Journal, May
Mutscheller, Charles, ‘Conflicted
Views: Part II’, New Art Examiner,
|1999||Lyderson, Kari, ‘Police
Brutality is Framed’, Streetwise,
|1997||Gruber, Jennifer, ‘Painter’s
Strokes Color a world of Brutal Emotions’, Irish
American Post, September
|1995||New International Contemporaries, Exhibition Catalogue, Taipei, Taiwan.|